Vocento: “A Gentleman In The Ring”

(Versión original en español aquí.)

A couple of weeks ago the eleven newspapers of the Vocento Group in Spain – El Correo, El Diario Vasco, El Diario Montañés, La Verdad, Ideal, Hoy, Sur, La Rioja, El Norte de Castilla, El Comercio, La Voz de Cádiz, Las Provincias – ran the following interview with me. The only exception was ABC which ran this one a few weeks before.

Alexander Fiske-Harrison

A Gentleman In The Ring

by Francisco Apaolaza

Having crossed through a dimensional portal, suddenly he appears in the bull-run of Cuéllar (Segovia), in an out-and-out race with Spanish fighting bulls, a copy of the Financial Times rolled up in his hand. With each stride, Alexander Fiske-Harrison, English gentleman, writer, actor and reporter for the British press spans the huge distance between his world of the cultural and economic elite of London and the bull-run of Cuéllar with its dust, hooves, horns and shoe leather. This is the story of how one man crossed through the door of these parallel universes and then relayed it in the first person to the most anciest newspaper in the City.

Now, perhaps, the Financial Times will give a respite to the workhorse of Spanish debt and point instead to Spain’s oldest bull-run. Perhaps the best part of the story is the signature on the article. Fiske-Harrison is not the type of tourist who cannot distinguish a cart-ox from a fighting bull, but is an amateur bullfighter whose curious journey began many years ago while search of new cultures and strong sensations. What he found was very far from his life in a grand English family – a line of bankers – with its studies at Oxford, its games of rugby, horses, shooting and the exclusive red and white athletics blazer of Eton College, where Prince William and David Cameron also studied. Continue reading

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Orson Welles on bullfighting as an art

Antonio Ordóñez, Matador of Ronda, and Orson Welles

Since bullfighting has moved from under the auspices of Spain’s Ministry of the Interior to that of the Ministry of Culture, I thought I would give the view of bullfighting as an artform by one of the greatest geniuses in the world of performing arts, Orson Welles, as recounted to the travel writer James Michener.

In case you have forgotten, Welles produced, directed, wrote and starred in Citizen Kane, usually considered the greatest film ever made, aged 25. And in case you didn’t know – i.e. you have not read my book, Into The Arena – seven years before that he briefly trained at as a bullfighter in Seville (as did I). His ashes are enterred at the ranch of his great friend, the matador Antonio Ordóñez (the house now belongs to his grandson, my friend the matador Cayetano Rivera Ordóñez.)

Here, he is describing the greatest of the Seville matadors at the time of the interview. The Seville matador today to whom Curro Romero is most similar today is Morante de la Puebla, whose photo I enclose at the end.

Alexander Fiske-Harrison

 

from Chapter VI: Sevilla

As to the bullfights, one evening I dined with Orson Welles, that scowling giant who in his youth had trained to be a matador, and he said in his rumbling voice, ‘What it comes down to is simple. Either you respect the integrity of the drama the bullring provides or you don’t. If you do respect it, you demand only the catharsis which it is uniquely constructed to give. And once you make this commitment you are no longer interested in the vaudeville of the ring. You don’t give a damn for fancy passes and men kneeling on their knees. There used to be this fraud who bit the tip of the bull’s horn. Very brave and very useless, because it played no part in the essential drama of man against bull. Such tricks cheapen the bull and therefore lessen the tragedy. What you are interested in is the art whereby a man using no tricks reduces a raging bull to his dimensions, and this means that the relationship between the two must always be maintained and even highlighted. The only way this can be achieved is with art.

Curro Romero, Matador of Seville, performs a ‘veronica’

Continue reading